(3) The speaker also states that the wind is "moving everywhere" and "shall blow / her clarion o'er the dreaming earth." Shelly personifies the wind. Popularity of “Ode to the West Wind”: Percy Bysshe Shelley, a famous romantic poet, wrote ‘Ode to the West Wind’. Answer: A) "O wild West Wind, thou breath of Autumn's being.". “Ode to the West Wind” is a poem written by the English Romantic poet, Percy Bysshe Shelley. The speaker uses the wind as a metaphor for his own art. 3. In that sense the wind is personified. apostrophe. It is seen as a great power of nature that destroys in order to create, that kills the unhealthy and the decaying to make way for the new and the fresh. Finally, the poet’s thoughts are associated with leaves: “like wither’d leaves to quicken a new birth” (l. 64). In line 56, the poet compares himself to a “lyre” Personification In lines 15 and 16, Shelley compares the wind's moving the clouds across the sky to the wind's _____. 16) – a simile which is also a metaphor. In lines 2 and 3, Shelley uses _____. (2) In "Ode to the West Wind," the speaker refers to the wind as a "Wild Spirit," a simile that portrays the wind as being fiercely independent. Similes are also employed when the poet describes himself in relation to the wind: “logy me as a wave” (l. 53), “even as the forest is” (l. 57). The most important characters in the poem “Ode to the West Wind” by Percy Bysshe Shelley are the speaker and the wind. Shelly also uses many metaphors in this poem to reveal the theme. The poem illustrates the most powerful impact of a specific wind. Summary of Ode to the West Wind. 2. In contrast with Pestilence-stricken, what positive attribute do the dead leaves have? only seem dead but are revived by warm spring winds. Shelly is considered as a revolutionary poet which can be clearly seen in his poem “Ode to the West Wind”. What is the wind a metaphor of? In line 1, the west wind is compared to “breath of Autumn’s being” In line 15, the west wind is said to be a “stream” In lines 18-23, the storm clouds are said to resemble Maenad’s Locks. According to Shelley, the poem was written in the woods outside Florence, Italy in the autumn of 1819. simile. Metaphor. Also, it exhibits the poet’s desire to utilize the mighty West Wind as a medium to make people realize the importance of this natural blessing. Shelly, throughout the poem, appeals to the west wind to destroy everything that is old and defunct and plant new, democratic and liberal norms and ideals in the English society. In the poem, the speaker directly addresses the west wind. In line 23, the west wind is said to be a dirge. Despite their disease-carrying nature, the leaves carry seeds into the ground, where they wait under the snow to bloom. In “Ode to West Wind “ the west wind is symbolized as destroyer as well as a preserver. Shelley believes that without destruction, life can not continue. The speaker; The West Wind; The speaker. The wind comes and goes. Though describing leaves, this line contains a poetic device called a metaphor to compare dying autumn leaves with people stricken by pestilence. 4. He addresses the West Wind and makes a plea, although, for the first three sections, his plea is quite unclear and ambiguous. Explanation: A metaphor is an indirect comparison between elements that aren't obviously related.It has the function of creating an image in the reader's mind, and help to explain a point. This personification helps us humans to relate to the wind, so that we may gain more from this poem. Indhold. It was first published in 1820. Angels of rain and lightning, there are spread On the blue surface of thine aery surge, Like the bright hair uplifted from the head. A simile is also a comparison but it relies in words like "like" and "as" to compare the elements. In addressing the west wind, Shelley used the literary technique of _____. When Shelley penned “Ode to the West Wind” in 1819, many people in England were actually starving and sickening. During winter, the "winged seeds" of line 7 _____. The overall metaphor in this poem is the representation of a prayer to God by the wind. The speaker could be a persona of the poet himself.