He died in Amarillo, Texas, in 1973. “I like landscapes that suggest prehistory,” said Smithson. your own Pins on Pinterest While at my residency, I met the artist, Ooldouz Alaei Novin, (whose work can be seen here and here) an Iranian mixed-media artist who thinks about issues of exile and assimilation.Although she came to Marble House with an entirely different project in mind, once on the â¦ See more ideas about Robert smithson, Land art, Sculpture installation. Smithson focused his short but influential career on a reconsideration of sculpture in relation to nature. “It is a shimmering collapse of decreated sharpness . We have made our image descriptions, originally written for people using screen readers, available to all site visitors. In late 1969, Robert Smithson travelled to Vancouver, British Columbia, to make his project titled Island of Broken Glass. Two related sculptures, made one year later, also incorporate mirrors and loosely assembled raw material—Closed Mirror Square (Cayuga Salt Mine Project) (1969) and Leaning Mirror (1969). From the floors of ancient Pompeii to the walls of the New York subway, mosaics have been a feature of urban life for thousands of years. This website is made possible in part by the Kovler Web Fund. The resulting gaps are passageways akin to Aliceâs Looking Glass or the Bellmanâs blank map, in that they are thresholds to an elsewhere.â Robert Smithson died in a plane crash on July 20, 1973, while surveying sites for his work Amarillo Ramp in the vicinity of â¦ 220 E Chicago Ave The sheets of glass leaning against each other allow the sunny flickers to slide down into hidden fractures of hidden shadow. Robert Smithson was born in Passaic, New Jersey, in 1938. For over fifty years, Robert Smithson's work and ideas have influenced artists and thinkers, building the ground from which contemporary art has grown. Gravel Mirrors with Cracks and Dust, 1968, Closed Mirror Square (Cayuga Salt Mine Project), 1969. Gravel Mirrors with Cracks and Dust (1968), for instance, contains gravel collected at Bergen Hill, New Jersey. Sometimes the results were fleeting documentations, other times permanent, large-scale sculptural interventions—as in the case of Spiral Jetty (1970), the iconic earthwork maintained by Dia on the northeastern shore of Great Salt Lake, Utah. In 1999, through the generosity of the artist Nancy Holt, Smithson’s widow, and the Estate of Robert Smithson, the artist’s work Spiral Jetty (1970), located at Rozel Point peninsula on Great Salt Lake, Utah, was donated to Dia Art Foundation. This page does not contain image descriptions. On view in these galleries are five of Robert Smithson’s indoor earthworks from the late 1960s, made with materials such as sand, gravel, mirrors, and glass. [Go to accessibility information], Robert Smithson, Map of Broken Glass (Atlantis), 1969. The map is a series of "upheavals" and "collapses"--a strata of unstable fragments is arrested by the friction of stability. Overview On view in these galleries are five of Robert Smithsonâs indoor earthworks from the late 1960s, made with materials such as sand, gravel, mirrors, and glass. He was just 35 years old. FREE for members of the military and police and fire departments, veterans, and anyone 18 and under, FREE for visitors with disabilities and their caregivers, Admission is free for Illinois residents on Tuesdays, year-round. The countless fragments of shattered glass that form Map of Broken Glass (Atlantis) (1969) are layered both literally and figuratively. Spiral Jetty is an earthwork sculpture constructed in April 1970 that is considered to be the most important work of American sculptor Robert Smithson. He primarily identified as a painter during this time, and his early exhibited artworks had a wide range of influences, including science fiction, Catholic art and Pop art. Robert Smithson (January 2, 1938 â July 20, 1973) was an American artist known for sculpture and land art who often used drawing and photography in relation to the spatial arts. While still attending high school in Clifton, New Jersey, during the mid 1950s, he attended art classes on the side in New York City. (Quoted in ed. The cross-shaped whole, which consists of organically merged cubes, conjures a deliberately static, yet paradoxical, volume: as the structure seems to expand, its consistency is undermined by the mirroring surfaces on its sides. As the title implies, the sculpture is to be seen not simply as a pile of sharp, transparent fragments but also as a map of a legendary lost continent. "Enantiomorphic" refers to crystalline compounds whâ¦ Robert Smithson, Map of Broken Glass (Atlantis), 1969. Click to reveal image descriptions. 537 West 22nd Street The reflections create the illusion that the work exists in and encompasses an expansive space. Photo: Florian Holzherr. Robert Smithson American Smithsonâs Three Mirror Vortex, a triangular basin into which the artist placed a polyhedron made with panes of glass, indulges in optical ambiguity. Receive Dia News and be the first to hear about events and exhibitions happening at our locations and sites. He produced drawings and collage works that incorporated images from natural history, science fiction films, classical art, religious iconography, and pornography including "homoerotic clippings from beefcake magazines". [Skip to quick links] Directions. Robert Smithson/Tony Tasset: Site/Nonsite Sat, Oct 7, 1995 â Sun, Dec 3, 1995 Image not available Robert Smithson: Sculpture Fri , Apr 10 , 1981 â Sun , Jun 14 , 1981 He began his career as a painter but in the mid-1960s started experimenting with different media including sculpture, writing, drawing, film, and eventually, earthworks. View examples on the. Created during a brief period from the mid-1960s to the early 1970s, Smithson’s provocative works spanned a variety of sites beyond the museum and gallery, from magazine pages to abandoned industrial and natural wastelands. In 1964-1965 Smithson created his first large scale sculptures. Recent solo exhibitions of his work were held at the Dallas Museum of Art (2013–14) and the Montclair Art Museum, New Jersey (2014). This comprehensive publication considers Smithson's sculpture Spiral Jetty in relation to its eponymous companionsâa text work and a film. Enable visual layer of image descriptions. Smithson documented the construction of the sculpture in a 32-minute color film also titled Spiral Jetty. Through his studies and training, Smithson became fascinated with the Abstract Expressionists, iâ¦ Paintings from 1959 to 1962 explored "mythical religious archetypes" and were also based on Dante's Divine Comedysuch as the paintâ¦ Born in New Jersey in 1938, Smithson' early interests in cartography, geology, prehistory, philosophy, science-fiction, and language spiral through his work. Employment, Internships, and Opportunities. Beloved by hobbyists and DIYers, these assemblages, typically created by arranging pieces of glass or stone, are often categorized merely as craft, reducing their appeal to artists who would prefer to avoid those associations. Aug 27, 2012 - This Pin was discovered by William Melody. AGOâs collection of close to 95,000 works ranges from cutting-edge contemporary art to European masterpieces; from the vast collection by the Group of Seven to works by established and emerging Indigenous Canadian artists. Many of these works, with their emphasis on geometry, industrial fabrication, and rational appearance, utilized the minimalist vocabulary of artists such as Sol LeWitt, Robert Morris, or Carl Andre. Buoyed by the convivial mood of his co-conspirators, master of ceremonies Robert Smithson proceeded to lower the barrel into position atop the steeply inclined clay bank near â¦ Between the site and the Nonsite one may lapse into places of little organization and no direction.” Some remarkable examples related to Smithson’s Nonsites may be found in this gallery. Robert Smithson expressed a profound interest in the arts from an early age. Dia Art Foundation; Partial gift, Lannan Foundation, 2013. Major retrospectives of his work have been organized by the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York (1980); the National Museum of Contemporary Art, Oslo (1999); and the Museum of Contemporary Art, Los Angeles (2004). Smithson planned to have 100 tons of industrial glass dumped on a small rocky island, then to use a crowbar to break the glass into small pieces. Robert Smithson focused his short but influential career on a reconsideration of the nature of sculpture—or, rather, of sculpture in relation to nature.